Richard Strauss' Dehmel songs: Musical responses to the literary Jugendstil movement
Rivera Del Valle, Humberto Carlo
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https://hdl.handle.net/2142/96168
Description
Title
Richard Strauss' Dehmel songs: Musical responses to the literary Jugendstil movement
Author(s)
Rivera Del Valle, Humberto Carlo
Issue Date
2017-04-18
Director of Research (if dissertation) or Advisor (if thesis)
Carrillo, Carlos
Doctoral Committee Chair(s)
Carrillo, Carlos
Committee Member(s)
Bashford, Christina
Redman, Yvonne
Gunn, Julie
Department of Study
School of Music
Discipline
Music
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
A.Mus.D. (doctoral)
Keyword(s)
music
richard
strauss
lieder
dehmel
jugendstil
Language
en
Abstract
Richard Strauss’ lieder output through his life was dominated by undeniable compositional
eclecticism; from literary subjects, to its varied harmonic palette and very importantly his choice
of poetry. During his middle song writing period, Strauss focused on setting poems by
contemporary German writers associated with the
Jugendstil
(Art Nouveau) movement.
Richard Leopold Dehmel (1863-
1920), regarded as one of the main exponents of the
Jugendstil
literature, was a controversial figure whose poetic anthologies faced accusations of obscenity and
Prussian government scrutiny. Notwithstanding, Dehmel's work proved inspirational for Richard
Strauss and many other composers during the
Fin-dè-siecle.
A total of eleven Strauss songs composed between 1895 and 1901 are based on poems by
Dehmel. It is fair to state that Dehmel was one of the poets Strauss set most often before
focusing on the composition of vocal works for the stage. The purpose of this project is to
discuss in depth four of the settings:
Stiller Gang, Leises Lied, Am Ufer,
and
Notturno;
while
considering the whole song output as a collective. It is also my interest to identify and discuss if
and how any characteristics inherent to Dehmel’s style are reflected in Strauss lieder.
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