FANTASIA ELEMENTS IN CARL PHILIPP EMANUEL BACH’S PETITES PIÈCES POUR LE CLAVECIN (1754-57)
Chun, Sihyun
This item is only available for download by members of the University of Illinois community. Students, faculty, and staff at the U of I may log in with your NetID and password to view the item. If you are trying to access an Illinois-restricted dissertation or thesis, you can request a copy through your library's Inter-Library Loan office or purchase a copy directly from ProQuest.
Permalink
https://hdl.handle.net/2142/90216
Description
Title
FANTASIA ELEMENTS IN CARL PHILIPP EMANUEL BACH’S PETITES PIÈCES POUR LE CLAVECIN (1754-57)
Author(s)
Chun, Sihyun
Issue Date
2016
Director of Research (if dissertation) or Advisor (if thesis)
Professor Charlotte Mattax Moersch
Doctoral Committee Chair(s)
Professor Ian Hobson
Committee Member(s)
Professor William Heiles
Professor Dana Robinson
Department of Study
School of Music
Discipline
Music
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
A.Mus.D. (doctoral)
Keyword(s)
Carl
Philipp
Emanuel
Bach
pieces
clavecin
piano
music
fantasia
Sihyun
Chun
Language
en
Abstract
Although there was formerly a tendency to think of Carl Philipp Emanuel Bach as merely one of Johann Sebastian Bach’s sons, in the late eighteenth century, Carl Philipp Emanuel was regarded as an influential and unique figure who was distinct from his father. Fortunately, C. P. E. Bach’s compositions now receive their rightful evaluation, both in the scholarly literature and in the performance area. Thanks to research in the second half of the twentieth century and in the twenty-first century, more resources pertinent to C. P. E. Bach scholarship have become available and more analytical studies have been undertaken on individual works and collections. Still, Bach’s Petites pièces, an atypical collection, has remained little discussed in the scholarly literature compared to Bach’s other major keyboard genres. It is hoped that this thesis will contribute to making the Petites pièces more widely appreciated. Specifically, by drawing on Bach’s own statements in his Versuch and fantasias for keyboard, the thesis will advance our knowledge of how Bach integrated his own fantasia style and the French harpsichord tradition in the Petites pièces.
Use this login method if you
don't
have an
@illinois.edu
email address.
(Oops, I do have one)
IDEALS migrated to a new platform on June 23, 2022. If you created
your account prior to this date, you will have to reset your password
using the forgot-password link below.