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https://hdl.handle.net/2142/88378
Description
Title
The jazz concepts of Rick Margitza
Author(s)
Vega, Carlos E.
Issue Date
2009
Doctoral Committee Chair(s)
McNeill, Charles
Committee Member(s)
Stephens, John Chip
Lund, Erik
Solis, Gabriel
Department of Study
School of Music
Discipline
Music
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
A.Mus.D. (doctoral)
Keyword(s)
jazz
music
rick
margitza
Language
en
Abstract
This project is an analysis of the jazz improvisation concepts utilized by tenor
saxophonist Rick Margitza. This analysis will be drawn from a series of nine written
transcriptions of improvised solos that span from 1986 to 2005 in Margitza’s recording
career. Eight of the nine improvised solos are based on original compositions by
Margitza, which have been commercially released on various labels. One of the
improvisations is on the jazz standard “Body and Soul” from a version released by
trumpeter Maynard Ferguson in 1986.
This analysis will be divided into three chapters focused on Margitza’s harmonic,
melodic and rhythmic improvisational concepts. Most of the project will compare and
contrast the concepts Margitza has integrated into his methodology to those of
historically influential players and composers with similar or contrasting musical
concepts and goals.
The rationale for using this compare and contrast method of analysis is 1) to put
Margitza into historical context and 2) to help clear a path in order to identify any
innovations, discoveries and/or variations unique to Rick Margitza’s approach. Knowing
that a great portion of Margitza’s approach is based on well-established musical concepts
that are rooted in jazz, it is my intention to reveal improvisational similarities to other
established jazz musicians and show additional or re-worked concepts that could be
deemed as unique to Margitza.
The biographical section of this thesis is based on interviews the author has
conducted with Margitza, as well as interviews with two of Margitza’s former mentors,
Professor Gary Campbell and Professor Ron Miller from the University of Miami.
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