Self-Referential Anxiety in the Romantic and Modern Long Poem
Daubs, James Daniel
This item is only available for download by members of the University of Illinois community. Students, faculty, and staff at the U of I may log in with your NetID and password to view the item. If you are trying to access an Illinois-restricted dissertation or thesis, you can request a copy through your library's Inter-Library Loan office or purchase a copy directly from ProQuest.
Permalink
https://hdl.handle.net/2142/69469
Description
Title
Self-Referential Anxiety in the Romantic and Modern Long Poem
Author(s)
Daubs, James Daniel
Issue Date
1988
Department of Study
English
Discipline
English
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
Ph.D.
Degree Level
Dissertation
Keyword(s)
Literature, Modern
Literature, American
Literature, English
Abstract
Many of the long poems on the nineteenth and twentieth centuries are characterized by a pronounced self-referential anxiety on the part of their narrators; representatives of this group of poems are Wordsworth's Prelude, William Carlos Williams' Paterson, and Adrienne Rich's "From an Old House in America" and Sources, though much the same anxiety can be seen in long poems by such diverse poets as Samuel Taylor Coleridge, Robert Browning, Ezra Pound, T. S. Eliot, Elizabeth Bishop, and John Berryman. In works by each of these poets, the author's insecurities about the poem's form and subject matter and about the appropriate role of the poet are articulated through the character of the "poet-figure," the symbolic representation of the poetic self in the poem.
Wordsworth's Prelude occupies a special place in literary history as the first poem to valorize poetic self-absorption as a fit subject for poetry, and Wordsworth serves as a precursor to and a major influence upon both Williams and Rich. Besides the reliance upon the poet-figure, who without exception bears a strong biographical resemblance to the poet himself or herself, the three poets share many other characteristics, the most important of which are a preoccupation with place and the inclusion in the poem of a clearly identifiable "other." The other--the common people in Wordsworth, the working classes in Williams, and the male in Rich--serves in the poem as the enemy of poetry, incapable of understanding and appreciating the poet's work.
Wordsworth, Williams, and Rich all envision impossibly ambitious objectives for their long poems, objectives that clash with the often fragmentary forms of the poems themselves. In this sense, all of the poems fail, and their shortcomings are recorded, commented upon, and frequently elaborately rationalized by the poet-figures themselves.
Use this login method if you
don't
have an
@illinois.edu
email address.
(Oops, I do have one)
IDEALS migrated to a new platform on June 23, 2022. If you created
your account prior to this date, you will have to reset your password
using the forgot-password link below.
