The field of archival preservation is increasingly recognized as an area
of specialization within the broader discipline of preservation of artistic
and cultural works. Archival preservation is akin to both fine art and
library preservation; but, while it shares common approaches and
philosophical concerns with each of these fields, there are also several
important differences. In large part, these differences relate to the
nature of archival materials. Unlike fine art collections, archival records
are generally intended to be used and handled by a variety of researchers.
Although there are possibilities for duplicating or reformatting unstable
or fragile records, large quantities of archival materials in original
formats still must be capable of being used and handled. Paper must
flex and bindings must function as vehicles both to protect and to allow
access to information. Fine art holdings even study collections are
subjected to much less (and less rigorous) handling than are archival
materials.
Publisher
Graduate School of Library and Information Science, University of Illinois at Urbana-Champaign
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