Waterfront spectacular

Hochhalter, Anna

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https://hdl.handle.net/2142/44194 Copy

Description

Title

Waterfront spectacular

Author(s)

Hochhalter, Anna

Issue Date

2013-05-24T21:53:52Z

Director of Research (if dissertation) or Advisor (if thesis)

Hays, David L.

Department of Study

Landscape Architecture

Discipline

Landscape Architecture

Degree Granting Institution

University of Illinois at Urbana-Champaign

Degree Name

M.L.A.

Degree Level

Thesis

Keyword(s)

• post-industrial
• waterfront
• riverfront
• spectacle
• productive landscape
• service economy
• Parks
• Detroit
• Chicago
• New York City
• New Orleans

Abstract

Through discourse analysis and site evaluation, this thesis asks two questions: first, what is the potential of the contemporary urban waterfront to structure and perpetuate meaningful spectacle; and second, what is the potential for spectacle to restructure the post-industrial public waterfront thus affording these sites more transformative power within society? Discourse analysis of spectacle is used in order to establish a typology of spectacle as well as a new definition of the phenomenon. Three case study cities—New Orleans, New York City, and Chicago—are evaluated in order to understand contemporary design strategies in post-industrial public waterfront projects. Spectacle is newly defined by the author as, “a visible deviation from the norm intended to provoke a response.” That understanding of spectacle is then explored as a design strategy on a riverfront site in downtown Detroit, Michigan, as part of the Detroit by Design 2012 Detroit Riverfront Competition. The author proposes a concept called “CityWorks Plaza & Port: a Publicly Owned Working Wharf and Repurposing Cooperative” as a model for Detroit. CityWorks Plaza and Port capitalizes on two detrimental aquatic invasive species: the sea lamprey (Petromyzon marinus) and zebra mussel (Dreissena polymorpha) and asserts that making work visible, in public, is spectacular—as noted, “a visible deviation from the norm intended to provoke a response.” In conclusion, this thesis discusses how instrumentalizing spectacle in design can lead to a post-post-industrial scenario—one which merges industrial space with public space, thus enabling a more diverse and generative economy while meeting public demands for waterfront access and recreational space.

Graduation Semester

2013-05

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http://hdl.handle.net/2142/44194

Copyright and License Information

Copyright 2013 Anna L. Hochhalter

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