Publishing in Wartime: The Modern Library Series during the Second World War
Neavill, Gordon B.
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https://hdl.handle.net/2142/3714
Description
Title
Publishing in Wartime: The Modern Library Series during the Second World War
Author(s)
Neavill, Gordon B.
Issue Date
2007
Keyword(s)
Book publishing
World War II
Modern Library Series
Random House
Abstract
American book publishing during the Second World War had to cope
with a huge increase in demand for books coupled with scarcity of
resources, especially paper rationing imposed by the War Production
Board. Based on research in the Random House archives and
focusing on the Modern Library series, this article examines how
publishers coped with wartime challenges and opportunities. Random
House grew rapidly during the war. Sales reached the million
dollar mark in 1941 and exceeded three million dollars by 1946.
Many new titles were published in smaller printings than demand
would have justified and were out of stock for extended periods
before they could be reprinted. The psychological uncertainties
and dislocations of wartime affected the kinds of books that were in
demand. Sales of philosophy and poetry increased at a disproportionate
rate. The Oracles of Nostradamus, published two months after
Pearl Harbor, became one of the Modern Library’s best-selling titles.
Shortly after the war ended the Modern Library became embroiled
in a censorship controversy involving the removal of poems by Ezra
Pound from a Modern Library poetry anthology. The end of the war
was accompanied by rapid inflation in all areas of the economy, and
paper remained in short supply despite the end of rationing. It was
not until September 1948 that all Modern Library titles were back
in stock for the first time since the war.
Publisher
Johns Hopkins University Press and the Graduate School of Library and Information Science. University of Illinois at Urbana-Champaign.
ISSN
0024-2594
Type of Resource
text
Language
en
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http://hdl.handle.net/2142/3714
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