Engaging aesthetics: American poetry and politics, 1925-1950
Thurston, Michael Tracy
This item is only available for download by members of the University of Illinois community. Students, faculty, and staff at the U of I may log in with your NetID and password to view the item. If you are trying to access an Illinois-restricted dissertation or thesis, you can request a copy through your library's Inter-Library Loan office or purchase a copy directly from ProQuest.
Permalink
https://hdl.handle.net/2142/19264
Description
Title
Engaging aesthetics: American poetry and politics, 1925-1950
Author(s)
Thurston, Michael Tracy
Issue Date
1995
Doctoral Committee Chair(s)
Nelson, Cary
Department of Study
English
Discipline
English
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
Ph.D.
Degree Level
Dissertation
Keyword(s)
History, United States
Literature, American
Political Science, General
Language
eng
Abstract
Amidst attempts to repoliticize American literary study, some recent scholars have set aside or pushed to the background questions of aesthetic quality in political poetry. But many poets active during the 1930's and 1940's saw political engagement and poetic accomplishment as mutually reinforcing. These poets recognized that effective political poetry must fashion imagined communities, collections of people with shared values, goals, and commitments. I read this poetry in the networks of publication, circulation and reception that surround it, taking these practices into account as crucial components of the textual acts the poems comprise. The poets I discuss--Edwin Rolfe, Langston Hughes, Ezra Pound, and Muriel Rukeyser--represent a range of attitudes toward poetry, politics, and the relationship between the two. My approach addresses a set of broad theoretical issues: the relationship between the categories of the aesthetic and the political, the consequent construction of traditions or canons, and, not least, the cultural politics entailed by these.
In the first part of the dissertation, I focus on two poets who strive to effect political change through traditional poetic strategies. Edwin Rolfe's career illustrates the mutability of the English lyric tradition in the hands of a gifted political poet. Although the texture of Langston Hughes' poetry is obviously different from that of Rolfe's, Hughes' effectiveness as a political poet also rests on his ability to reach out from his cultural position to fashion temporary and tactical alliances between diverse communities.
"The dissertation's second part teases out the implications of Ezra Pound's phrase ""a poem including history"" to address the collision between high-Modernist aesthetics and political work. I examine how Pound and Muriel Rukeyser worked from opposite ends of the political spectrum to assimilate political concerns into their modernist texts by incorporating historical documents."
Use this login method if you
don't
have an
@illinois.edu
email address.
(Oops, I do have one)
IDEALS migrated to a new platform on June 23, 2022. If you created
your account prior to this date, you will have to reset your password
using the forgot-password link below.
