Somebody, anybody, sing a Black girl’s song: Examining the experiences of Black women doctoral students at Historically Black Colleges and Universities through Sista Circles
Andrews, Krystal Elaine
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https://hdl.handle.net/2142/122235
Description
Title
Somebody, anybody, sing a Black girl’s song: Examining the experiences of Black women doctoral students at Historically Black Colleges and Universities through Sista Circles
Author(s)
Andrews, Krystal Elaine
Issue Date
2023-11-28
Director of Research (if dissertation) or Advisor (if thesis)
Zamani-Gallaher, Eboni M
Davila, Liv T
Doctoral Committee Chair(s)
Zamani-Gallaher, Eboni M
Committee Member(s)
Hood, Denice W
Brown, Ruth N
Department of Study
Educ Policy, Orgzn & Leadrshp
Discipline
Educ Policy, Orgzn & Leadrshp
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
Ph.D.
Degree Level
Dissertation
Keyword(s)
Black Women
Historically Black Colleges and Universities, Doctoral Study, Graduate Study, Experience, Persistence, Retention
Abstract
This study examines the experiences of Black women doctoral students at Historically Black Colleges and Universities. Utilizing a theoretical framework of Black Feminist Thought (BFT), Community Cultural Wealth (CCW), and Intersectionality, this study focuses on how Black women doctoral students describe the varied experiences of navigating academic and personal life and intersecting identities along with how they define, construct, and leverage community as a persistence tool. Currently, there is a limited body of literature regarding the advanced graduate experiences of Black women at Historically Black Colleges and Universities regarding how they navigate and the mechanisms that influence their persistence. Further, a dearth of literature addresses the unique experiences, contributions, and challenges of this institutional type regarding advanced doctoral study.
This qualitative study used Sista Circle Methodology, Critical Discourse Analysis, and Feminist Relational Discourse Analysis to illuminate how collective communal space informs their language choices amongst each other and describing their experiences. Through this, three discursive patterns (themes) were identified: HBCUs versus rose-colored glasses, Conflict with Black Women, and community is complicated and nuanced. This study provides practice implications to implement and maintain appropriate support resources and influence the opportunities for professional development for Historically Black College and University faculty, staff, and administrators.
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