Center, periphery, and frontier – Tang Qi’s 1946 Chinese sonnets
Wang, Zhengyuan
This item is only available for download by members of the University of Illinois community. Students, faculty, and staff at the U of I may log in with your NetID and password to view the item. If you are trying to access an Illinois-restricted dissertation or thesis, you can request a copy through your library's Inter-Library Loan office or purchase a copy directly from ProQuest.
Permalink
https://hdl.handle.net/2142/120340
Description
Title
Center, periphery, and frontier – Tang Qi’s 1946 Chinese sonnets
Author(s)
Wang, Zhengyuan
Issue Date
2023-05-05
Director of Research (if dissertation) or Advisor (if thesis)
Chen, Jingling
Committee Member(s)
SHAO, Dan
Persiani, Gian-Piero
Department of Study
E. Asian Languages & Cultures
Discipline
E Asian Languages & Cultures
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
M.A.
Degree Level
Thesis
Keyword(s)
Tang Qi
Chinese Sonnet
Frontier Poetry
Abstract
Given the backdrop of the ongoing warfare between China and Japan, an essential issue underlying the 1940s Chinese poetry would be its interrelationship with the Time. In a time of crisis, whether poetry should or could satisfy the need to represent reality? A juvenile poet on the threshold of the poetic circle at that time, Tang Qi 唐祈 (1920-1990) endeavored to develop an answer of his own. In his unfledged practices, Tang Qi organically integrated multifaceted literary resources into his personal experience in Northwestern China, demonstrating that poetry can be a synthesis of the pursuit of poetics and the solicitude of reality. This thesis hereof examines two Chinese sonnets (zhongwen shisihangshi 中文十四行詩) of Tang Qi published in 1946, which are argued to epitomize the early writing experience of the poet from 1939 to 1946. In this way, this thesis aims to delve into Tang Qi’s pre-modernistic period as a poet and his contemplation on the Zeitgeist, in lieu of univocally regarding Tang Qi as a member of the “Nine Leaves” School or a modernist. Prior to analyzing the poems, the thesis introduces Tang Qi’s early life experience in Gansu, when he was not yet a member of the “Nine Leaves.” Via close readings of the poetic texts and the contextualization of the preceding and contemporary intellectual history of the poet’s time, the thesis then digs into two aspects of Tang Qi’s venture, his approach and his impetus. While the first main chapter (Chapter II) sorts out the mechanism of Tang Qi’s adaptation, appropriation, and abandonment of the literary resources in reconstructing the figure of “shepherdess,” the second main chapter (Chapter III) inquiries about the stylistic and sociological propositions that conceivably impact the poet’s choice of adopting the genre of sonnet. The two poems showcase a new insight into Tang Qi’s poetic aesthetics and cultural politics. Based on this observation, the last chapter of the thesis offers a recontextualization of Tang Qi to the 1940s. By placing the poet’s life trajectory within the coordinator of center and periphery, this thesis not only presents an alternative façade of Tang Qi, but highlights the organic networking among threads of literary sections in the field of 1940s Chinese poetry.
Use this login method if you
don't
have an
@illinois.edu
email address.
(Oops, I do have one)
IDEALS migrated to a new platform on June 23, 2022. If you created
your account prior to this date, you will have to reset your password
using the forgot-password link below.
