From Catherine II’s coup to Alexander Pushkin’s "The captain’s daughter": A reflection on sartorial and spiritual searching in Russian culture
Ivleva, Victoria
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https://hdl.handle.net/2142/116393
Description
Title
From Catherine II’s coup to Alexander Pushkin’s "The captain’s daughter": A reflection on sartorial and spiritual searching in Russian culture
Author(s)
Ivleva, Victoria
Issue Date
2020-12
Keyword(s)
Catherine II
Peter I
Aleksandr Talyzin
coup uniform
Preobrazhenskii and Semenovskii regiments
iconography of portraits
Alexander Pushkin
The Captain’s Daughter
cultural archetypes
traditional clothing
Abstract
This article examines the origins of different attributions of the uniform that Catherine II wore on the day of the coup in 1762 that brought her to the throne. It traces the importance of this episode in eighteenth-century culture and in Catherine’s self-representation by looking at memoirs, as well as by exploring the history of the Preobrazhenskii and Semenovskii regiments, in terms of the guards’ uniforms and their cultural meanings, and by studying royal ceremonies and the iconography of eighteenth-century portraits. The article then uses the lens of Pushkin’s novel The Captain’s Daughter (1836) to rethink this episode in the context of early nineteenth-century history, Pushkin’s personal biography and his thoughts on Russian history and culture.
Series/Report Name or Number
ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies, vol. 8
Type of Resource
text
Language
en
Copyright and License Information
Copyright 2020 Victoria Ivleva
This work is licensed under a Creative Commons Attribution 4.0 International License (https://creativecommons.org/licenses/by/4.0/).
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