From obscurity to new relevancy: A more accessible approach to Samuel Barber's Vanessa
McAndrew, Michael N.
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https://hdl.handle.net/2142/109809
Description
Title
From obscurity to new relevancy: A more accessible approach to Samuel Barber's Vanessa
Author(s)
McAndrew, Michael N.
Issue Date
2021
Director of Research (if dissertation) or Advisor (if thesis)
Tharp, Reynold
Doctoral Committee Chair(s)
Gunn, Julie
Committee Member(s)
Carrillo, Carlos
Redman, Yvonne Gonzales
Department of Study
School of Music
Discipline
Music
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
A.Mus.D. (doctoral)
Keyword(s)
orchestration
Samuel Barber
Vanessa
American opera
Metropolitan Opera
Gian Carlo Menotti
chamber orchestra
Language
en
Abstract
To describe this study, I borrow from an eloquently titled article by Rupert Christensen,
“Samuel Barber’s opera Vanessa: from Pulitzer to obscurity…and beyond,” written as a
marketing piece for Glyndebourne’s 2018 production. This project addresses each of those key
words, and places particular focus on the “beyond.” This thesis accompanies a chamber version
of Vanessa prepared by the author with the permission of G. Schirmer, Inc. that reduces the
orchestration to 14 musicians. I outline the steps of creating this new orchestral reduction in
detail, providing an initial insight into a seldom-documented process. Additionally, I discuss how
this smaller chamber ensemble contributes to several aspects of practicality, accessibility and
creativity in future productions. This project hopefully increases the viability and performability
of the opera, bringing Vanessa from obscurity to new relevancy.
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