A study of Johann Ulrich Steigleder’s Tablatur Buch darinnen daß Vatter unser (1627)
DelGiorno, Nichol E.
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https://hdl.handle.net/2142/102079
Description
Title
A study of Johann Ulrich Steigleder’s Tablatur Buch darinnen daß Vatter unser (1627)
Author(s)
DelGiorno, Nichol E.
Issue Date
2018
Director of Research (if dissertation) or Advisor (if thesis)
Robinson, Dana
Doctoral Committee Chair(s)
Robinson, Dana
Committee Member(s)
Alwes, Chester L.
Moersch, Charlotte Mattax
Taube, Heinrich
Department of Study
School of Music
Discipline
Music
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
A.Mus.D. (doctoral)
Keyword(s)
Johann Ulrich Steigleder
Baroque
Organ
Variations
Vatter unser im Himmelreich
Stuttgart
chorale setting
Language
en
Abstract
Johann Ulrich Steigleder’s
Tabulatur Buch darinnen daß Vatter unser auff 2, 3, und 4
Stimmen Componirt, und Viertzig mal Variit würdt, auch bey ieder Variatio ein sonderlicher
bericht zufinden. Auff Orgeln, und allen andern Musicalischen Instrumenten ordenlich zu
appliciren
was published in Strassburg in 1627. Exhibiting influence from the English and
Netherlandish, North and South German, and Italian schools of composition, the collection
includes the following genres: fantasia, toccata, fugue,
canon, ornamented chorale, bicinium, and
imitative and non-imitative cantus firmus settings. This encyclopedic and didactic collection of
settings on
Vater unser im Himmelreich
is unique in its inclusion of performance indicative
headings that point to the practice of collaborative performance between organ and voice and
organ and a solo instrument. This thesis surveys Steigleder’s variations, with particular attention
to the
use of the chorale tune in motivic design.
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