A study of film music by Philip Glass and Arvo Pärt
Li, Yuting
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https://hdl.handle.net/2142/99953
Description
Title
A study of film music by Philip Glass and Arvo Pärt
Author(s)
Li, Yuting
Issue Date
2018
Director of Research (if dissertation) or Advisor (if thesis)
Magee, Gayle Sherwood
Doctoral Committee Chair(s)
Hobson, Ian
Committee Member(s)
Tsitsaros, Christos
Lund, Erik
Department of Study
School of Music
Discipline
Music
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
A.Mus.D. (doctoral)
Keyword(s)
Philip Glass
Arvo Pärt
Film music
Minimalism
Gerry
The Hours
Spiegel im Spiegel
Holy minimalism
Language
en
Abstract
This research paper focuses on two minimalist-influenced composers’ film music: Arvo
Pärt’s
Spiegel im Spiegel
(1978) and
Für Alina
(1976), both used in the movie
Gerry
(2002), and
Philip Glass’s music for the movie
The Hours
(2002). Arvo Pärt and Philip Glass are considered
two of the most influential composers active today.
My research explores the use of minimalist-influenced music in those two movie scores
through musical and visual analyses. Furthermore this thesis discusses piano performance issues.
Chapter I is an introduction containing brief biographies of the two composers and their
relationship with film music. Chapter II discusses Arvo Pärt’s
Spiegel im Spiegel
and
Für Alina
and their usage in the film
Gerry, and provides performance suggestions. Chapter III provides
analysis and performance suggestions for Philip Glass’s film music for The Hours
and the soundtrack’s function in the film. Chapter IV provides a conclusion.
In my project recital, I will perform Arvo Pärt’s
Spiegel im Spiegel
in a version for violin and piano, his
Für Alina
for piano, and selections from Philip Glass’s soundtrack for
The Hours
in an arrangement for solo piano by Michael Riesman and Nico Mühly.
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