Coordinating mind and body: A comparison of three somatic approaches for improving wellness and performance in pianists
Zhou, Yuanchang
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https://hdl.handle.net/2142/98884
Description
Title
Coordinating mind and body: A comparison of three somatic approaches for improving wellness and performance in pianists
Author(s)
Zhou, Yuanchang
Issue Date
2017
Director of Research (if dissertation) or Advisor (if thesis)
Tsitsaros, Christos
Doctoral Committee Chair(s)
Hobson, Ian
Committee Member(s)
Heiles, William
Parisi, Susan
Department of Study
School of Music
Discipline
Music
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
A.Mus.D. (doctoral)
Keyword(s)
Somatics
Hand injury of pianists
Alan Fraser
Dorothy Taubman
Barbara Lister-Sink
Mind-body coordination
Language
en
Abstract
Among all barriers to a professional pianist’s performance, hand injuries can be the most
traumatic. Chronic pain and other debilitating problems can not only cause physical suffering,
but severe and emotional turmoil as well. When discouraged by countless cancellations due to
physical problems, many pianists consider themselves failures. Throughout history, celebrated
pianists such as Robert Schumann, Alexander Scriabin, Gary Graffman, Leon Fleisher, and
Glenn Gould fell victim to hand injuries, in some cases even causing permanent damage that
sidelined, or even terminated, their performing careers. Often traditional medicine is not the most ideal solution for effectively
curing a pianist’s
hand injuries, as most problems are more likely related to improper movement and use of the
body while playing. The purpose of this essay
is to introduce three effective somatic approaches
to piano playing, offering
not only possibilities for the treatment of physical problems, but also
preventive methods to help in obtaining a pain-
free experience for performing pianists.
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