From paper to performance: Problems and solutions in operatic piano-vocal scores
Bagby, Michael Joseph
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https://hdl.handle.net/2142/98543
Description
Title
From paper to performance: Problems and solutions in operatic piano-vocal scores
Author(s)
Bagby, Michael Joseph
Issue Date
2017
Director of Research (if dissertation) or Advisor (if thesis)
Gunn, Julie
Doctoral Committee Chair(s)
Gunn, Julie
Committee Member(s)
Magee, Jeffrey
Tilley, Michael
Department of Study
School of Music
Discipline
Music
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
A.Mus.D. (doctoral)
Keyword(s)
piano-vocal scores
largo al factotum
una furtiva lagrima
piano reduction
editorial solutions
instrumentation
textures
layers
nineteenth-century Italian opera
Language
en
Abstract
As a vocal coach and accompanist in operatic productions, I utilize piano-vocal scores regularly. The organization of piano-vocal scores within the
Nineteenth-Century Italian operatic repertoire varies by publisher and editor in
conveying the piano reduction as well as
editorial markings. This dissertation
reviews Figaro’s aria “Largo al factotum” from Rossini’s
Il Barbiere di Siviglia
and
Nemorino’s aria “Una furtiva lagrima” from Donizetti’s
L’Elisir d’Amore
from a
pianist’s point of view.
Upon evaluating
the orchestral likeness of an edition,
pianists
may seek an alternate rendering that better transmits the orchestral score
into a reduction idiomatic
to the piano. Relying on their knowledge, taste, ingenuity,
and the 21st-century technology at their fingertips, editors and pianists alike may
resolve complications ranging from page turns to instrumentation.
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