The commissions and compositions of works for Benny Goodman and chamber ensemble: history, style and clarinet writing
Shuler, Pamela
This item is only available for download by members of the University of Illinois community. Students, faculty, and staff at the U of I may log in with your NetID and password to view the item. If you are trying to access an Illinois-restricted dissertation or thesis, you can request a copy through your library's Inter-Library Loan office or purchase a copy directly from ProQuest.
Permalink
https://hdl.handle.net/2142/98541
Description
Title
The commissions and compositions of works for Benny Goodman and chamber ensemble: history, style and clarinet writing
Author(s)
Shuler, Pamela
Issue Date
2017
Director of Research (if dissertation) or Advisor (if thesis)
Harris, J. David
Doctoral Committee Chair(s)
Harris, J. David
Committee Member(s)
Lund, Erik
Magee, Gayle
McGovern, Timothy
Department of Study
School of Music
Discipline
Music
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
A.Mus.D. (doctoral)
Keyword(s)
Goodman
commissions
chamber
clarinet
Language
en
Abstract
Frequently referred to as the “King of Swing,” Benny Goodman (1909-1986) is
well-known for
his jazz clarinet playing. Yet Goodman should also be recognized as a classical clarinet player and for his
role in contributing repertoire to the classical clarinet genre. A number of these works call for various
arrangements of chamber ensembles. Béla Bartók’s
Contrasts
for Clarinet, Violin, and Piano,
Alan
Shulman’s
Rendezvous
for
Clarinet and Strings, Morton Gould’s
Benny’s Gig
8 Duos for Clarinet and
Double Bass,
and Allen Shawn’s
Trio
for Clarinet, Cello, and Piano
are all a part of
this category. To gain an understanding of how each of these works fit into both
Goodman’s long career and
the output of Bartók, Shulman, Gould, and Shawn, this thesis presents
the
history and circumstances
leading up to the
composition
of each work. Each
piece
is compared with other works by the composers
in order to discover what compositional style
may
have been adapted in writing for Goodman. Additional consideration is given to the popularity of each work in performances and
recordings.
Use this login method if you
don't
have an
@illinois.edu
email address.
(Oops, I do have one)
IDEALS migrated to a new platform on June 23, 2022. If you created
your account prior to this date, you will have to reset your password
using the forgot-password link below.